/This Week in Arts: Ionesco Gets a Mash-Up, ‘High Maintenance’ Returns

This Week in Arts: Ionesco Gets a Mash-Up, ‘High Maintenance’ Returns


Jan. 23-26, bam.org.

Eugene Ionesco didn’t love being referred to as an absurdist playwright, however he and his fellow Parisians Samuel Beckett and Jean Genet all discovered themselves lumped beneath that banner. While Europe strained to rebuild after World War II, they regarded round on the rubble and constructed a unusual new type of theater. Out went conventions of language, plot and character; in got here works meant to embody the stark illogic and darkish comedy of the human situation.

Perhaps by now Ionesco’s personal writings may benefit from a little bit of dismantling? The Paris-based firm Théâtre de la Ville and the director Emmanuel Demarcy-Mota have reassembled a few of them into “Ionesco Suite.” Starting performances on Wednesday, Jan. 23, on the Brooklyn Academy of Music, it’s a mash-up of 5 texts from performs together with “The Bald Soprano” and “The Lesson.”

A heads-up to spectators who require a agency fourth wall: When the present ran in Chicago, The Tribune critic Chris Jones warned that it contained “some of the creepiest audience interaction” he had seen in a lengthy whereas. LAURA COLLINS-HUGHES

Jan. 18.

As the 13th and first female Doctor to helm the BBC’s “Doctor Who,” Jodie Whittaker has the universe at her fingertips. But in “Adult Life Skills,” a zany wisp of a British indie making its U.S. debut on Friday, Jan. 18, in theaters and video-on-demand, she’s the picture of earthbound inertia.

As Anna — on the cusp of 30 and grieving the twin brother who died 18 months earlier — she’s secluded herself in her mother’s garden shed, where she makes whimsical videos starring her thumbs, and shows up for her parks job dressed like a homeless teenager. But the week before her milestone birthday, her mother (Lorraine Ashbourne) gives her an ultimatum: Get a life and get out. Then she puts Anna in charge of Clint (Ozzy Myers), an 8-year-old living out a Western fantasy to detract from his own misery.

Rachel Tunnard adapted this dark comedy from her own BAFTA-nominated short, winning the Nora Ephron Prize for the best female director at the 2016 Tribeca Film Festival. KATHRYN SHATTUCK



Source link Nytimes.com

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