/He Wanted to Be Pope. He Settled for Conducting the Metropolitan Opera.

He Wanted to Be Pope. He Settled for Conducting the Metropolitan Opera.

Jean Paquin, a French horn participant at the Orchestre Métropolitain who has recognized Mr. Nézet-Séguin for 20 years, mentioned that when the conductor arrived at age 25, some gamers had been skeptical. But Mr. Nézet-Séguin shortly satisfied the doubters along with his humility, his ardour for the music and his “expressive, supernatural left hand,” Mr. Paquin mentioned.

Mr. Nézet-Séguin mentioned he had at all times admired Leonard Bernstein, “primarily because there was never a note that was not filled with intention or emotion.”

Then there was his “maestro,” the Italian conductor Carlo Maria Giulini, whose music Mr. Nézet-Séguin found as a boy earlier than finding out with him in the late 1990s. “He was very calm and never used harsh words,” Mr. Nézet-Séguin mentioned.

He added that he was decided to deliver such equanimity to the Metropolitan Opera after “troubled times.” In 2018, Mr. Nézet-Séguin grew to become the Met’s music director after the earlier holder of the position, James Levine, was fired over allegations of sexual abuse that he denied.

Mr. Nézet-Séguin’s intention for the Met, he mentioned, was a brand new period of optimism by means of a “quiet revolution,” an allusion to a 1960s social motion in Quebec towards the strictures of the Catholic Church. “I don’t believe in arriving at an institution and being a disrupter,” he mentioned. “There is some resistance — I am not saying it’s always easy — but smiles and optimism are what is needed.”

Born in Montreal right into a churchgoing household, Mr. Nézet-Séguin gave credit score to his dad and mom, each professors of schooling, for accepting their homosexual son and for giving him the confidence to be himself, on and off the podium.

His dad and mom, in an interview in New York, mentioned he was a born performer, placing on musical exhibits for his two elder sisters, dancing to Michael Jackson hits and always drawing.

Source link Nytimes.com

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